Teresa, 2018. Glasses and lamps; variable dimensions. Parcial view of the exhibition ‘Centrifugation’ at Celma Albuquerque Galeria de Arte, Belo Horizonte – MG, 2018. Photographic record: Mario Grisolli.
About Yellows, 2017. Acrylic, wood and glasses; variable dimensions. Parcial view of the exhibition ‘Brute Fluxe’ at Museum of Modern Art Rio de Janeiro (MAM/RJ), 2018. Curatorship Beate Reifenscheid, director of Ludwig Museum de Koblenz, Germany. Photographic record: Mario Grisolli.
Cloud to half-height, 2015. Glassine paper, glasses and lamp , variable dimensions. Parcial view of the exhibition ‘Squares and Patterns’ at Ludwig Museum at Koblenz – Germany, 2015.
Rabiscada, 2017. Painted wood and glasses , variable dimensions. Parcial view of the exhibition ‘Brute Fluxe’ at Museum of Modern Art Rio de Janeiro (MAM/RJ), 2017. Curatorship Beate Reifenscheid, director of Ludwig Museum de Koblenz, Germany. Photographic record: Mario Grisolli.
Angelas, 2017. Glasses and marble, variable dimensions. Parcial view of the exhibition ‘Brute Fluxe’ at Museum of Modern Art Rio de Janeiro (MAM/RJ), 2017. Curatorship Beate Reifenscheid, director of Ludwig Museum de Koblenz, Germany. Photographic record: Mario Grisolli.
Com licença, Dona Lina (Excuse me, Mrs. Lina), 2016. Glass, steel oxidation over glass, mirror and steel cables; variable dimensions. Collection of Instituto Lina Bo e PM Bardi (Casa de Vidro), SP. View of the exhibition ‘Intervalo das coisas’ (Interval of things), at Instituto Lina Bo e PM Bardi (Casa de Vidro), São Paulo, 2016. Photografic record: Everton Ballardin
Pintura elétrica (Electric painting), 2016. Glass, lamps and steel cables. Intervention on the frontage of the building of Instituto Lina Bo e PM Bardi (Casa de Vidro). Collection of Instituto Lina Bo e PM Bardi (Casa de Vidro), SP. View of the exhibition ‘Intervalo das coisas’ (Interval of things), at Instituto Lina Bo e PM Bardi (Casa de Vidro), São Paulo, 2016. Photografic record: Everton Ballardin.
Nos intervalos entre as coisas importantes, nos minutos à toa (In between the important things, in the lazy minutes), 2015. Wood, acrylic paint, glass, steel cables and aluminium; variable dimensions. Artist’s collection. View of the exhibition ‘Jaguares’, at Paço Imperial, Rio de Janeiro, 2015. Photografic record: Mário Grisolli.
Fugitive I & Fugitive II, 2013; Wood, acrylic paint, glass and steel cables; variable dimensions. Artist’s collection. Partial view of the exhibition ‘Repertório para aproximação de suspensos’ (Repertoire for approaching suspended works) at Instituto Tomie Ohtake, São Paulo – SP, Brazil, 2013. Photographic record: Rômulo Fialdini.
Fugitiva I, 2013 (detail). Wood, acrylic paint, glass and steel cables; variable dimensions. Artist’s collection. Partial view of the exhibition ‘Repertório para aproximação de suspensos’ (Repertoire for approaching suspended works) at Instituto Tomie Ohtake, São Paulo – SP, Brazil, 2013. Photographic record: Rômulo Fialdini.
Pink Gelosia, 2010 (from the Gelosia series). Carbon steel oxidation on glass and acrylic, variable dimensions. Artist’s collection. Partial view of the exhibition ‘José Bechara: FENDAS’ at Museu de Arte Moderna do Rio de Janeiro (MAM/RJ), 2010 Curator Luis Camillo Osório.
Photografic record: Julio Callado