{"id":171,"date":"2012-10-11T01:28:51","date_gmt":"2012-10-11T01:28:51","guid":{"rendered":"https:\/\/josebechara.com\/en\/?page_id=171"},"modified":"2024-09-23T14:43:15","modified_gmt":"2024-09-23T14:43:15","slug":"publications","status":"publish","type":"page","link":"https:\/\/josebechara.com\/en\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2024\/09\/artnexus121.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"940\" height=\"1200\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2024\/09\/artnexus121-1.jpg\" alt=\"\" class=\"wp-image-1616\" style=\"width:655px;height:auto\" srcset=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2024\/09\/artnexus121-1.jpg 940w, https:\/\/josebechara.com\/en\/wp-content\/uploads\/2024\/09\/artnexus121-1-650x830.jpg 650w, https:\/\/josebechara.com\/en\/wp-content\/uploads\/2024\/09\/artnexus121-1-768x980.jpg 768w\" sizes=\"auto, (max-width: 940px) 100vw, 940px\" \/><\/a><\/figure>\n\n\n\n<p><small><strong>\u201cArtNexus; No.121\u201d<\/strong><br>Text: Irina Leyva, 2023<br>English and Spanish<\/small><\/p>\n\n\n<p><a href=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2019\/12\/IMG_2137.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1447\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2019\/12\/imagem-650x700.jpg\" alt=\"\" width=\"650\" height=\"700\" srcset=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2019\/12\/imagem-650x700.jpg 650w, https:\/\/josebechara.com\/en\/wp-content\/uploads\/2019\/12\/imagem-768x827.jpg 768w, https:\/\/josebechara.com\/en\/wp-content\/uploads\/2019\/12\/imagem-980x1055.jpg 980w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a><\/p>\n<p class=\"p1\"><small><strong>\u201cTerrit\u00f3rio Oscilante\u201d<\/strong><br \/><\/small><small>Texts: Antonio Pinto Ribeiro, Beate Reifenscheid e David Barro<\/small><small><br \/><\/small><small>Barl\u00e9u Editor, 2019<br \/>Portuguese, English, Spanish and German<small><\/small><\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2019\/12\/Arquivo-Escaneado-5.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1450\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2019\/12\/Arquivo-Escaneado-5-650x926.jpeg\" alt=\"\" width=\"650\" height=\"926\" srcset=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2019\/12\/Arquivo-Escaneado-5-650x926.jpeg 650w, https:\/\/josebechara.com\/en\/wp-content\/uploads\/2019\/12\/Arquivo-Escaneado-5-768x1095.jpeg 768w, https:\/\/josebechara.com\/en\/wp-content\/uploads\/2019\/12\/Arquivo-Escaneado-5-980x1397.jpeg 980w, https:\/\/josebechara.com\/en\/wp-content\/uploads\/2019\/12\/Arquivo-Escaneado-5.jpeg 1256w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a><strong><small>Catalog of Anozero\u201919 \u2013 Coimbra Biennial of Contemporary Art\u00a0, \u201cThe Third Bank\u201d, Portugal, 2019<br \/><\/small><\/strong><small>Curatorship: Agnaldo Farias, L\u00edgia Afonso e Nuno de Brito Rocha<\/small><small><br \/>Almedina S\/A Editions<br \/><\/small><small>Portuguese and English<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2019\/12\/Captura-de-Tela-2019-12-12-a\u0300s-16.27.53.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1448\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2019\/12\/Captura-de-Tela-2019-12-12-a\u0300s-16.27.53.png\" alt=\"\" width=\"607\" height=\"848\" \/><\/a><strong><small>Catalog of the exhibition \u201cTerrit\u00f3rio Oscilante\u201d, at Funda\u00e7\u00e3o Iber\u00ea Camargo, Porto Alegre &#8211; POA, 2019<br \/><\/small><\/strong><small>Curatorship: Luiz Camillo Os\u00f3rio<\/small><strong><small><br \/><\/small><\/strong><small>Portuguese<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/i__id4767_mw600__1x.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1428\" src=\"https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/i__id4767_mw600__1x.jpg\" alt=\"\" width=\"600\" height=\"713\" \/><\/a><strong><small>Catalog exhibition of the group show \u201cWalking Through Walls\u201d, Gropius Bau museum at Berlin &#8211; GR, 2019<br \/><\/small><\/strong><small>Curatorship: Sam Bardaouil e Till Fellrath<br \/><\/small><small>The show celebrates thirty years of the fall of the Berlin wall\u00a0<\/small><small><br \/>Silvana Editoriale<br \/>English<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/IMG_2134.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1427\" src=\"https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/IMG_2134-650x892.jpg\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" srcset=\"https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/IMG_2134-650x892.jpg 650w, https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/IMG_2134-768x1053.jpg 768w, https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/IMG_2134-980x1344.jpg 980w\" alt=\"\" width=\"650\" height=\"892\" \/><\/a><strong><small>Catalog exhibition \u201cPartes Soltas<small>\u201d<\/small>, at Sim\u00f5es de Assis gallery, Curitiba \u2013 PR, 2019<br \/><\/small><\/strong><small>Text: Eucana\u00e3 Ferraz<\/small><strong><small><br \/><\/small><\/strong><small>Portuguese<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2016\/10\/capa-livro-cobogo.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2016\/10\/capa-livro-cobogo.png\" alt=\"\" width=\"650\" height=\"831\" \/><\/a><br \/><small><strong>Arte brasileira para crian\u00e7as<\/strong><br \/>Cobog\u00f3, 2016<br \/>Portuguese<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/IMG_2143-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1437\" src=\"https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/IMG_2143-1-650x871.jpg\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" srcset=\"https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/IMG_2143-1-650x871.jpg 650w, https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/IMG_2143-1-768x1030.jpg 768w, https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/IMG_2143-1-980x1314.jpg 980w\" alt=\"\" width=\"650\" height=\"871\" \/><\/a><strong><small>Catalog of the exhibition\u00a0<small>\u201c<\/small>Squares and Patterns\u201d, at Ludwig museum, Koblenz\u00a0 \u2013 GR, 2015<\/small><\/strong><strong><small><br \/><\/small><\/strong><small>English and German<br \/>Verlag Kettler Editor<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/IMG_2141.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1435\" src=\"https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/IMG_2141-650x900.jpg\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" srcset=\"https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/IMG_2141-650x900.jpg 650w, https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/IMG_2141-768x1063.jpg 768w, https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/IMG_2141-980x1357.jpg 980w\" alt=\"\" width=\"650\" height=\"900\" \/><\/a><strong><small>Catalog of the exhibition\u00a0<small>\u201c<\/small>Jos\u00e9 Bechara: Cora\u00e7\u00e3o, seu tempo e a persist\u00eancia da raz\u00e3o\u201d at Paulo Darz\u00e9 gallery, Salvador \u2013 BA, 2014<\/small><\/strong><strong><small><br \/><\/small><\/strong><small>Portuguese<\/small><\/p>\n<p class=\"p1\"><strong><a href=\"https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/IMG_2140.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1434\" src=\"https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/IMG_2140-650x847.jpg\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" srcset=\"https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/IMG_2140-650x847.jpg 650w, https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/IMG_2140-768x1001.jpg 768w, https:\/\/josebechara.com\/pt\/wp-content\/uploads\/2019\/12\/IMG_2140-980x1277.jpg 980w\" alt=\"\" width=\"650\" height=\"847\" \/><\/a><br \/><small>Catalog of the exhibition \u201cJos\u00e9 Bechara\u201d at Sim\u00f5es de Assis em Curitiba \u2013 PR, 2014<br \/><\/small><\/strong><small>Text: Felipe Scovino<\/small><strong><small><br \/><\/small><\/strong><small>Portuguese<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/publications\/captura-de-tela-2013-08-23-as-14-56-01\/\" rel=\"attachment wp-att-603\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-603\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/Captura-de-Tela-2013-08-23-\u00e0s-14.56.01-650x686.png\" alt=\"\" width=\"650\" height=\"686\" srcset=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/Captura-de-Tela-2013-08-23-\u00e0s-14.56.01-650x686.png 650w, https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/Captura-de-Tela-2013-08-23-\u00e0s-14.56.01.png 775w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a><\/p>\n<p><small><strong>Jos\u00e9 Bechara<\/strong><\/small><br \/><small><a title=\"Jos\u00e9 Bechara\" href=\"https:\/\/josebechara.com\/en\/jose-bechara-3\/\">text by Agnaldo Farias<\/a><\/small><br \/><small>English, Portuguese and Spanish<br \/>Barl\u00e9u Editor, 2013<\/small><\/p>\n<div>\u00a0<\/div>\n<p><a href=\"https:\/\/josebechara.com\/en\/publications\/blefuscu_capa\/\" rel=\"attachment wp-att-185\"><br \/><\/a><a href=\"https:\/\/josebechara.com\/en\/publications\/capa_pintura\/\" rel=\"attachment wp-att-508\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/Capa_Pintura-650x871.jpg\" alt=\"\" width=\"650\" height=\"871\" \/><\/a><br \/><small><strong>Desdobramentos da pintura brasileira s\u00e9culo XXI<\/strong><\/small><br \/><small>Cobog\u00f3, 2012<br \/>Portuguese and English<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/publications\/blefuscu_capa\/\" rel=\"attachment wp-att-185\"><img loading=\"lazy\" decoding=\"async\" title=\"Blefuscu_capa\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/Blefuscu_capa.jpg\" alt=\"\" width=\"650\" height=\"942\" \/><\/a><br \/><small><strong>Blefuscu<\/strong><\/small><br \/><small>texts: <a title=\"Jos\u00e9 Bechara: breaking but not entering\" href=\"https:\/\/josebechara.com\/en\/jose-bechara-breaking-but-not-entering\/\" target=\"_blank\" rel=\"noopener\">&#8220;Jos\u00e9 Bechara: breaking but not entering&#8221;, Marilyn Zeitlin;<\/a><br \/><a title=\"Blefuscu: six points on the work of Jos\u00e9 Bechara\" href=\"https:\/\/josebechara.com\/en\/blefuscu-six-points-on-the-work-of-jose-bechara\/\" target=\"_blank\" rel=\"noopener\">&#8220;Blefuscu: six points on the work of Jos\u00e9 Bechara&#8221;, Delfim Sardo;<\/a><br \/><a title=\"Nightfall against window panes\" href=\"https:\/\/josebechara.com\/en\/nightfall-against-window-panes\/\" target=\"_blank\" rel=\"noopener\">&#8220;Nightfall against window panes&#8221;, interview with Jos\u00e9 Bechara and Gl\u00f3ria Ferreira.<\/a><\/small><br \/><small> Dardo, 2008<br \/>Portuguese, English and Spanish<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/publications\/dardo7_capa\/\" rel=\"attachment wp-att-188\"><img loading=\"lazy\" decoding=\"async\" title=\"Dardo7_capa\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/Dardo7_capa.jpg\" alt=\"\" width=\"650\" height=\"913\" \/><\/a><br \/><small><strong>Dardo Magazine n.7<\/strong><br \/>Dardo, 2008<br \/>Portuguese, English and Spanish<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/publications\/fendas_capa\/\" rel=\"attachment wp-att-191\"><img loading=\"lazy\" decoding=\"async\" title=\"Fendas_capa\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/Fendas_capa.jpg\" alt=\"\" width=\"650\" height=\"507\" \/><\/a><br \/><small><strong>Jos\u00e9 Bechara &#8211; Fendas<\/strong><br \/>Exhibition catalogue, 2010\/11<\/small><br \/><small>Text to by Luis Camillo Osorio<br \/>Portuguese and English<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/publications\/desenhos_capa\/\" rel=\"attachment wp-att-190\"><img loading=\"lazy\" decoding=\"async\" title=\"Desenhos_capa\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/Desenhos_capa.jpg\" alt=\"\" width=\"650\" height=\"843\" \/><\/a><br \/><small><strong>Desenhos &#8211; Jos\u00e9 Bechara. Como piscada de vaga-lume<\/strong><\/small><br \/><small>texts: &#8220;Deambulations about qualities&#8230;&#8221;, Paulo Reis;<br \/>&#8220;Firefly flashes, an adventure in Oz, and the drawings of Jos\u00e9 Bechara&#8221;, Fernando Cocchiarale.<br \/>R\u00e9ptil, 2010<br \/>Portuguese and English<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2019\/12\/CAPA-PROJETO-RESPIRACAO-FRENTE2-650x833.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1429\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2019\/12\/CAPA-PROJETO-RESPIRACAO-FRENTE2-650x833-650x833.jpg\" alt=\"\" width=\"650\" height=\"833\" \/><\/a><br \/><small><strong>Projeto Respira\u00e7\u00e3o<\/strong><br \/>M\u00e1rcio Doctors<br \/>Cobog\u00f3 &amp; Funda\u00e7\u00e3o Eva Klabin, 2012<br \/>Portuguese and English<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2019\/12\/1911-2011-arte-brasileira-e-depois-coleco-itau-D_NQ_NP_925539-MLB26659320402_012018-F.jpg\" rel=\"attachment wp-att-558\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1430\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2019\/12\/1911-2011-arte-brasileira-e-depois-coleco-itau-D_NQ_NP_925539-MLB26659320402_012018-F-650x821.jpg\" alt=\"\" width=\"650\" height=\"821\" srcset=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2019\/12\/1911-2011-arte-brasileira-e-depois-coleco-itau-D_NQ_NP_925539-MLB26659320402_012018-F-650x821.jpg 650w, https:\/\/josebechara.com\/en\/wp-content\/uploads\/2019\/12\/1911-2011-arte-brasileira-e-depois-coleco-itau-D_NQ_NP_925539-MLB26659320402_012018-F.jpg 698w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a><br \/><small><strong>1911-2011 Brazilian Art and After, the Ita\u00fa Coleecion\u00a0<\/strong><br \/>Ita\u00fa Cultural, 2012<br \/>Portuguese and English<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/publications\/olympus-digital-camera-8\/\" rel=\"attachment wp-att-556\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/Museu-de-Arte-Moderna-da-BA-650x766.jpg\" alt=\"\" width=\"650\" height=\"766\" \/><\/a><br \/><small><strong>Museu de Arte Moderna da Bahia <\/strong><br \/>Editora Gr\u00e1ficos Buriti, 2002<br \/>Portuguese<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/publications\/construir-habitar-pensar_capa\/\" rel=\"attachment wp-att-187\"><img loading=\"lazy\" decoding=\"async\" title=\"Construir habitar pensar_capa\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/Construir-habitar-pensar_capa.jpg\" alt=\"\" width=\"650\" height=\"893\" \/><\/a><br \/><small><strong>Construir Habitar Pensar. Perspectivas del Arte y la Arctectura Latinoamericana Contempor\u00e2neas<\/strong><br \/>Instituto Valenciano de Arte Moderno, Spain, 2008<br \/>Spanish, English and Valencian<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/publications\/a-casa_capa\/\" rel=\"attachment wp-att-182\"><img loading=\"lazy\" decoding=\"async\" title=\"A Casa_capa\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/A-Casa_capa.jpg\" alt=\"\" width=\"650\" height=\"775\" \/><\/a><br \/><small><strong>A Casa<\/strong><\/small><br \/><small>Text: &#8221; The Substance of violence&#8221;, Agnaldo Farias.<br \/>Francisco Alves, 2006<br \/>Portuguese and English<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2024\/09\/Antes-de-ayer-y-passado-manana.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1621\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2024\/09\/Antes-de-ayer-y-passado-manana-650x770.jpg\" alt=\"\" width=\"650\" height=\"770\" srcset=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2024\/09\/Antes-de-ayer-y-passado-manana-650x770.jpg 650w, https:\/\/josebechara.com\/en\/wp-content\/uploads\/2024\/09\/Antes-de-ayer-y-passado-manana-768x910.jpg 768w, https:\/\/josebechara.com\/en\/wp-content\/uploads\/2024\/09\/Antes-de-ayer-y-passado-manana.jpg 837w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a><br \/><small><strong>Antes de ayer y pasado ma\u00f1ana \u2013 o lo que puede ser pintura hoy<\/strong><br \/>Arte Contempor\u00e1neo y Energia AIE \u2013 MACUP &amp; Artedardo, S.L. \u2013 Dardo ds, 2009<br \/>Spanish and English<\/small><\/p>\n<p><strong><a href=\"https:\/\/josebechara.com\/en\/publications\/um-seculo-de-arte-brasileira_capa\/\" rel=\"attachment wp-att-199\"><img loading=\"lazy\" decoding=\"async\" title=\"Um s\u00e9culo de arte brasileira_capa\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/Um-s\u00e9culo-de-arte-brasileira_capa.jpg\" alt=\"\" width=\"650\" height=\"898\" \/><\/a><\/strong><br \/><small><strong>Um S\u00e9culo de Arte Brasileira &#8211; Cole\u00e7\u00e3o Gilberto Chateaubriand<\/strong><br \/>Museu de Arte de Santa Catarina, 2008<br \/>Portuguese and English<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/publications\/jose-bechara_capa\/\" rel=\"attachment wp-att-194\"><img loading=\"lazy\" decoding=\"async\" title=\"Jose Bechara_capa\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/Jose-Bechara_capa.jpg\" alt=\"\" width=\"650\" height=\"867\" \/><\/a><br \/><small><strong>Jos\u00e9 Bechara<\/strong><\/small><br \/><small>text:<a title=\"Jos\u00e9 Bechara\u2019s tense gaze\" href=\"https:\/\/josebechara.com\/en\/jose-becharas-tense-gaze\/\" target=\"_blank\" rel=\"noopener\"> &#8220;Jos\u00e9 Bechara&#8217;s tense gaze&#8221;, David Barro.<\/a><br \/>Dardo, 1998<br \/>Portuguese and English<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/publications\/olympus-digital-camera-6\/\" rel=\"attachment wp-att-256\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-256\" title=\"OLYMPUS DIGITAL CAMERA\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/PA190410-650x765.jpg\" alt=\"\" width=\"650\" height=\"765\" srcset=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/PA190410-650x765.jpg 650w, https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/PA190410-980x1153.jpg 980w, https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/PA190410.jpg 1223w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a><br \/><small><strong>Arte e Ousadia &#8211; O Brasil na cole\u00e7\u00e3o de Jo\u00e3o Sattamini<\/strong><br \/>Apraz\u00edvel Edi\u00e7\u00f5es, 2008\/2009<br \/>Portuguese and English<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/publications\/25-bienal-de-sao-paulo_capa\/\" rel=\"attachment wp-att-181\"><img loading=\"lazy\" decoding=\"async\" title=\"25 Bienal de S\u00e3o Paulo_capa\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/25-Bienal-de-S\u00e3o-Paulo_capa.jpg\" alt=\"\" width=\"650\" height=\"873\" \/><\/a><br \/><small><strong>25\u00aa Bienal de S\u00e3o Paulo &#8211; Iconografias Metropolitanas<\/strong><br \/>Funda\u00e7\u00e3o Bienal de S\u00e3o Paulo, 2002<br \/>Portuguese and English<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/publications\/a-persistencia-da-pintura_capa\/\" rel=\"attachment wp-att-183\"><img loading=\"lazy\" decoding=\"async\" title=\"A persistencia da pintura_capa\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/A-persistencia-da-pintura_capa.jpg\" alt=\"\" width=\"650\" height=\"876\" \/><\/a><br \/><small><strong>A Persist\u00eancia da Pintura &#8211; N\u00facleo Contempor\u00e2neo<\/strong><br \/>Funda\u00e7\u00e3o Bienal do Mercosul, 2005<br \/>Portuguese, English and Spanish<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/publications\/o-moderno-e-o-contemporaneo-na-arte-brasileira_capa\/\" rel=\"attachment wp-att-195\"><img loading=\"lazy\" decoding=\"async\" title=\"O Moderno e o Contemporaneo na Arte Brasileira_capa\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/O-Moderno-e-o-Contemporaneo-na-Arte-Brasileira_capa.jpg\" alt=\"\" width=\"650\" height=\"840\" \/><\/a><br \/><small><strong>O Moderno e o Contempor\u00e2neo na Arte Brasileira &#8211; Cole\u00e7\u00e3o Gilberto Chateaubriand<\/strong><br \/>Museu de Arte de S\u00e3o Paulo &#8211; MASP, 1998<br \/>Portuguese and English<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/publications\/olympus-digital-camera-4\/\" rel=\"attachment wp-att-254\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-254\" title=\"OLYMPUS DIGITAL CAMERA\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/PA190408-Edit-650x816.jpg\" alt=\"\" width=\"650\" height=\"816\" srcset=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/PA190408-Edit-650x816.jpg 650w, https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/PA190408-Edit-980x1230.jpg 980w, https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/PA190408-Edit.jpg 1147w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a><br \/><small><strong>Cole\u00e7\u00e3o Ita\u00fa Contempor\u00e2neo &#8211; Arte no Brasil de 1981 &#8211; 2006<\/strong><br \/>Ita\u00fa Cultural, 2006<br \/>Portuguese and English<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/publications\/colecao-al-e-m-marcondes-ferraz\/\" rel=\"attachment wp-att-559\"><img decoding=\"async\" class=\"alignnone size-full wp-image-559\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/Colecao-AL-e-M-Marcondes-Ferraz.tiff\" alt=\"\" \/><\/a><br \/><small><strong>Cole\u00e7\u00e3o Ana Luisa e Mariano Marcondes Ferraz<\/strong><br \/>Texts by Luiz Camillo Os\u00f3rio and Mariano Marcondes Ferraz, 2008<br \/>Portuguese and English<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/publications\/paixons-privadas-visions-p_capa\/\" rel=\"attachment wp-att-196\"><img loading=\"lazy\" decoding=\"async\" title=\"Paix\u00f3ns privadas, visi\u00f3ns p_capa\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/Paix\u00f3ns-privadas-visi\u00f3ns-p_capa.jpg\" alt=\"\" width=\"650\" height=\"794\" \/><\/a><br \/><small><strong>Paix\u00f3ns Privadas, Visi\u00f3ns P\u00fablicas<\/strong><br \/>Museo de Arte Contemporaneo de Vigo, Espanha &#8211; Marco, 2008<br \/>Galician and English<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/publications\/panorama-2005_capa\/\" rel=\"attachment wp-att-197\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-197\" title=\"Panorama 2005_capa\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/Panorama-2005_capa-e1350671196519-650x470.jpg\" alt=\"\" width=\"650\" height=\"470\" \/><\/a><br \/><small><strong>Panorama da Arte Brasileira 2005<\/strong><br \/>Museu de Arte Moderna de S\u00e3o Paulo, 2005<br \/>Portuguese and English<\/small><\/p>\n<p><a href=\"https:\/\/josebechara.com\/en\/publications\/jose-bechara-1998_capa\/\" rel=\"attachment wp-att-193\"><img loading=\"lazy\" decoding=\"async\" title=\"Jose Bechara 1998_capa\" src=\"https:\/\/josebechara.com\/en\/wp-content\/uploads\/2012\/10\/Jose-Bechara-1998_capa.jpg\" alt=\"\" width=\"650\" height=\"826\" \/><\/a><br \/><small><strong>Jos\u00e9 Bechara<\/strong><\/small><br \/><small>Texts: &#8220;An Alliance with time&#8221;, Agnaldo Farias;<br \/>&#8220;<a title=\"The action \u2013 Jos\u00e9 Bechara, dense weights\" href=\"https:\/\/josebechara.com\/en\/the-action-jose-bechara-dense-weights\/\" target=\"_blank\" rel=\"noopener\">The Action &#8211; Dense weights&#8221; and &#8220;The method &#8211; The beauty in the remains<\/a>&#8220;, Wilson Coutinho<br \/>Dardo, 2005<br \/>Portuguese, Espanish, English and Galician<\/small><\/p>","protected":false},"excerpt":{"rendered":"<p>\u201cArtNexus; No.121\u201dText: Irina Leyva, 2023English and Spanish \u201cTerrit\u00f3rio Oscilante\u201dTexts: Antonio Pinto Ribeiro, Beate Reifenscheid e David BarroBarl\u00e9u Editor, 2019Portuguese, English, Spanish and German Catalog of Anozero\u201919 \u2013 Coimbra Biennial of Contemporary Art\u00a0, \u201cThe Third Bank\u201d, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-171","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/josebechara.com\/en\/wp-json\/wp\/v2\/pages\/171","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/josebechara.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/josebechara.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/josebechara.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/josebechara.com\/en\/wp-json\/wp\/v2\/comments?post=171"}],"version-history":[{"count":10,"href":"https:\/\/josebechara.com\/en\/wp-json\/wp\/v2\/pages\/171\/revisions"}],"predecessor-version":[{"id":1629,"href":"https:\/\/josebechara.com\/en\/wp-json\/wp\/v2\/pages\/171\/revisions\/1629"}],"wp:attachment":[{"href":"https:\/\/josebechara.com\/en\/wp-json\/wp\/v2\/media?parent=171"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}